View cart ““Playing with the cat” by L Roekler” has been added to your cart.
-
Hippolyte Petitjean
(French, 1854-1929)
“Femmes dans le
foret”
Oil on canvas
39 ½” x 25 7/8”
Signed and dated
bottom left
Painted in 1897
PROVENANCE:
Estate of D. Gensburg,
LA
-
Marc Chagall
(French, 1887-1985)
“Le peintre et la
crucifixion”
pastel and gouache on paper
20”x 12.5”
Executed in 1968
Signed lower left
COA by Comite Chagall
-
J. Fleming,
circa 18
‘Scottish Seascape'
Plaque on fra
Oil on wo
14¾ x 20
John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there.
As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
-
Francisco Bayeu Y Subias (1734-1795)
“An Allegorical Figure of Music, a Study for a Pedentive”
Oil on paper laid down on canvas
13 ¼ x 16 ½ inches
Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes. Born in Zaragoza, Aragon, he received a broad childhood education. He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid.
He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
-
American School
George Peter Alexander Healy Portrait
32” x 25”
Signed upper left “GPA HEALY”
@AC-NB
-
John Edumondo Califano
1862-1946
Landscape Overlooking House and Bridge
Oil on wood
8 ½” x 10 5/8”
AC3000
@AC-NB
-
Henri Lebasque
(French, 1865-1937)
“Les deus Baigneuses
près de la Plage”
Oil on canvas
21 1/8”x 30”
Signed lower right
COA by V. Lebasque
-
Jean Jacques Henner
(French, 1829-1905)
A Young Girl with Red Cape
Signed ‘JHENNER’ lower left
Oil on canvas
18 ¼ x 12 ¾ in. (46.4 x 32.4 cm)
-
Hermann Armin von Kern
(Austrian, 1838-1912)
"Pouring a Drink"
Oil on canvas
8 ¼ x 6 inches
-
Sir Peter Paul Rubens (Flemish, 1577-1640)
“Mars and Venus and Philemon and Baucis”
Oil on copper
9 x 11 ¾ inches
(22.8 x 29.7 cm)
CL102794-116
439101-2
@NB-1040
#22
-
Frans II Francken (Flemish, 1581-1642)
A Scene with the Madonna
Oil on canvas
30 ½ x 23 centimeters
CL102794-19
437402-2
@NB-1040 #39
-
Follower of John Crome
Landscape
@AC-NB
-
Emmanuel Mané-Katz
(French, 1894–1962)
“Scholar with a Torah
scroll”
Watercolor on gouache on gray paper
12” x 9 ½”
SIgnwed lower right
-
Dutch/Flemish School,
ca. 1800
‘Peasants Dancing Outside an Inn’
Oil on canvas
26 ½ x 32 ½ in. (67.3 x 82.6 cm)
-
B. Baroni
(Italian, 19th Century)
‘In the Doorway’
Oil on canvas
26 7/8 x 18 ½ inches
Signed lower right ‘B. Baroni’
-
Diego Velaquez
Bacchus – a detail
Oil on canvas
16 x 20 ½ in.
40.7 x 52.1 cm
CL102794-233
325501-2
@AC-GN
-
David Teniers
‘Topers in a Tavern Interior’
oil on white metal
10 3/8 x 12 ½ in.
CL102794-244
318702-2
Price:4,500
@AC-NB
-
Nineteenth Century Sevres-Style Turquoise Clock.
Dimensions:
Height 29 inches,
Width 19 inches, and
11 inches deep.
F-1104
-
Théodore van
Rysselberghe
(Belgian, 1862-1926)
“Auto-Portrait a la
palette”
Oil on paper laid on
board
23 5/8” x 18 ½”
-
Bernard Buffet
(French, 1928-1999)
“Nature morte au
melon et a l’ananas”
Oil on canvas
23.5”x 40”
Signed and dated 1989 on the top
COA by M. Garnier
-
Dog Painting
Portrait of a Dog
Artist Unknown
10½ x 12 in.
-
Donato Creti
“Studies of Heads”
Pen and brown ink on paper
10 ¾ x 7 ¼ inches
@NB-1040 #26
Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna.
Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni.
-
Arthur Fitzwilliam Tait
1819-1905
“Tait’s father”
5 ¼” x 7”
Pencil on paper
Provenance: Alan R. Tait 08/10/77
Worth 1,000
@AC-NB
-
Edwin Howland Blashfield
Women Aiding the Less Fortunate
1848-1936
21 ¾” x 17”
AC80000
@AC-NB