-
A French Ormolu and Champlevé Enamel Garniture with a pair of Four-Light Candelabra AC14000 F-32
-
Henri Lebasque (French, 1865-1937) “Les deus Baigneuses près de la Plage” Oil on canvas 21 1/8”x 30” Signed lower right COA by V. Lebasque
-
Jean Jacques Henner (French, 1829-1905) A Young Girl with Red Cape Signed ‘JHENNER’ lower left Oil on canvas 18 ¼ x 12 ¾ in. (46.4 x 32.4 cm)
-
Hermann Armin von Kern (Austrian, 1838-1912) "Pouring a Drink" Oil on canvas 8 ¼ x 6 inches
-
Francisco Bayeu Y Subias (1734-1795) “An Allegorical Figure of Music, a Study for a Pedentive” Oil on paper laid down on canvas 13 ¼ x 16 ½ inches Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes. Born in Zaragoza, Aragon, he received a broad childhood education. He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid. He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
-
American School George Peter Alexander Healy Portrait 32” x 25” Signed upper left “GPA HEALY” @AC-NB
-
John Edumondo Califano 1862-1946 Landscape Overlooking House and Bridge Oil on wood 8 ½” x 10 5/8” AC3000 @AC-NB
-
Emmanuel Mané-Katz (French, 1894–1962) “Scholar with a Torah scroll” Watercolor on gouache on gray paper 12” x 9 ½” SIgnwed lower right
-
Dutch/Flemish School, ca. 1800 ‘Peasants Dancing Outside an Inn’ Oil on canvas 26 ½ x 32 ½ in. (67.3 x 82.6 cm)
-
B. Baroni (Italian, 19th Century) ‘In the Doorway’ Oil on canvas 26 7/8 x 18 ½ inches Signed lower right ‘B. Baroni’
-
Sir Peter Paul Rubens (Flemish, 1577-1640) “Mars and Venus and Philemon and Baucis” Oil on copper 9 x 11 ¾ inches (22.8 x 29.7 cm) CL102794-116 439101-2 @NB-1040 #22
-
Follower of John Crome Landscape @AC-NB
-
Théodore van Rysselberghe (Belgian, 1862-1926) “Auto-Portrait a la palette” Oil on paper laid on board 23 5/8” x 18 ½”
-
Bernard Buffet (French, 1928-1999) “Nature morte au melon et a l’ananas” Oil on canvas 23.5”x 40” Signed and dated 1989 on the top COA by M. Garnier
-
Dog Painting Portrait of a Dog Artist Unknown 10½ x 12 in.
-
Diego Velaquez Bacchus – a detail Oil on canvas 16 x 20 ½ in. 40.7 x 52.1 cm CL102794-233 325501-2 @AC-GN
-
David Teniers ‘Topers in a Tavern Interior’ oil on white metal 10 3/8 x 12 ½ in. CL102794-244 318702-2 Price:4,500 @AC-NB
-
Nineteenth Century Sevres-Style Turquoise Clock. Dimensions: Height 29 inches, Width 19 inches, and 11 inches deep. F-1104
-
Victor Brauner (Rumanian, 1903-1966) “Paysage” Oil on Canvas 7 ½”x 9” Signed bottom left Dated 1953 COA by S. Kinge PROVENANCE: Alexander Iolas, NY Exhibited: New York, Bodley Gallery, Victor Brauner,1961
-
French School (19th/20th Century) Lush Landscape Surrounding a Lake. Indistinctly signed lower left Oil on panel. 7 ¼x 14 in. (18.5 x 35.5 cm)
-
Charles Robert Leslie (English, 1794-1859) Landscape Oil on canvas 12 x 24 in.
-
Donato Creti “Studies of Heads” Pen and brown ink on paper 10 ¾ x 7 ¼ inches @NB-1040 #26 Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna. Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni.
-
Arthur Fitzwilliam Tait 1819-1905 “Tait’s father” 5 ¼” x 7” Pencil on paper Provenance: Alan R. Tait 08/10/77 Worth 1,000 @AC-NB