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Duccio di Buoninsegna (Italian, 1255-1318) “The Madonna and Child” Oil on panel 18 ½ x 13 inches Duccio di Buoninsegna (Italian; c. 1255–1260 – c. 1318–1319) was an Italian painter active in Siena, Tuscany in the late 13th and early 14th centuries. He is considered to be the father of Sienese painting and, along with a few others, the founder of Western art. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is credited with creating the painting styles of Trecento and the Sienese school, and also contributed significantly to the Sienese Gothic style. Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding region of Tuscany. Other details of his early life and family are as uncertain, as much else in his history. Nevertheless, his artistic talents were enough to overshadow his lack of organization as a citizen, and he became famous in his own lifetime. In the 14th century Duccio became one of the most favored and radical painters in Siena. CL102794-10 561202-2 @NB-1040 #7
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Walter Gilman Page 1862-1934 “Portrait of a gentlemen” Oil on canvas 28 ½” x 36” Signed and dated 1903 lower left Worth 1500 @AC-NB
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American School- Artist: Unknown “An Old canal” 20” x 14 ¼” In 1870 @AC-NB
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Jean Baptiste Camile Corot (French, 1796-1875) “Environs d’Arras- Bords de la Scarpe” Oil on panel 12 ½”x 16” Vente stamp on the reverse Painted in 1860-65 COA by M. Dieterle «I'Oeuvre de Corot», 1965, vol.III, pp. 124-125 no.1592 PROVENANCE: The Artist's Studio; sale, Hotel Drouot, Paris May 26-28 1875,#125
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Charles Felix Edouard Deshayes (French, 1831-1895) Windmill Near Paris Signed and dated ‘Ch Deshayes 1874 Paris’ Oil on canvas 26x 32 in. (66 x 81.2 cm)
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Henry Lee McFee ‘Still Life with Bottle’ Oil on canvas 24 x 20 inches
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Antonio Joli (Italian, 1700-1777) “Figures Amongst Classical Ruins” Oil on canvas 15 ¼ x 30 ½ inches (38.7 x 77.5 cm) Antonio Joli or Ioli (1700 – 29 April 1777) was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).
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Francesco Solimena (Italian, 1657-1747) “The Mystic Marriage of Saint Catherine” Oil on canvas, Oval 12 7/8 x 9 5/8 inches (31.8 x 24.7 cm) CL102794-97 430602-2 @NB-1040 #61
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Dunlavy Portrait Former Property of Great Grandson of A. Lincoln Oil on canvas 9 ½ x 13 inches @AC-NB
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Maurice de Vlaminck (French, 1876-1958) “Vase de fleurs" Oil on canvas 15”x 18 ¼” Signed lower right COA by Wildenstein Institute
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James Clark (British, 1858-1943) "Black Horse in a Stable" Oil on canvas 17 x 21 inches (43.2 x 53.3 cm) Signed
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Unknown Artist 19th Century “Outdoor Scene”
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Jean A. Watteau (French, 1684-1821) Women in Nature Oil on canvas 12 ¾ x 9 ½ inches S71791-173 142001-3 @AL 7/13
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Sir Anthony van Dyck ‘Portrait of the Marchesa Lomellini-Durazzo, three quarter length, in a black Coat and white Sleeves’ oil on canvas 33 5/8 x 24 in. 85.4 x 61 cm. CL102794-266 5115602-2 @AC-sAlbert.
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George Peter Alexander Healy 1808-1894 Portrait of Cardinal John McCloskey Oil on Canvas 25” x 30” Signed top right and dated SLOCT2281-127 AC16000
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Maximilien Luce (French, 1858–1941) “Le chenal a mare basse, honfleur” Oil on paper laid down on canvas 10 ¼” x 13 ½” Painted in 1928 COA by Jean Luce
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Pablo Picasso (Spanish, 1881-1973) “Figura (Portrait of Jaqeline)” Glass sculpture on wooden stand 17.5”x 14”x 5” Signed on the base “Picasso, Fucina Degli Angeli, Venezia, Hermano Nason” A second signature “P. Picasso 964 n FA 2/3” COA by Comite Picasso PROVENANCE: Peggy Guggenheim Collection V. del Leoni, Venice
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C Kleemann (19th/20th Century) Salome signed, 23 x 17 5/8 in.
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Artist Unknown, 19th Century Figure and Animals Scene
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Antonio Allegri da Correggio “The Mystic Marriage of Saint Catherine” Oil on canvas 10 ½” x 9” (26.7 x 22.8 cm) Antonio Allegri da Correggio (August 1489 – March 5, 1534), usually known as Correggio (Italian), was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Rococo art of the 18th century. He is considered a master of chiaroscuro. In 1503 he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the classicism of artists like Lorenzo Costa and Francesco Francia, evidence of which can be found in his first works. After a trip to Mantua in 1506, he returned to Correggio, where he stayed until 1510.
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D. Lawrence R.A. “Lake” Oil on canvas 35” x 28 ½” Signed @AC-NB
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 10 ½” x 12 ½” AC12000 AC28000 @AC-NB
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Yasuo Kuniyoshi (American, 1893-1953) “Vase with flower” 17”x 14” Oil on canvas Painted in 1918 COA by B. Usui Yasuo Kuniyoshi (Kuniyoshi Yasuo, 1 September 1893 – 14 May 1953) was an American painter, photographer and printmaker. Kuniyoshi was born in Okayama, Japan in 1893. He migrated to America in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life.
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Pierre Emmanuel Damoye (French,1847-1916) ‘A Wintery Day’ signed ‘E.Damoye’ lower left oil on canvas 15x 24 in. (38 x 61 cm)
