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JaquesNatoire with indistinct signature, ‘F Boucher’ “Zephyr Flora” Laid down on canvas 10 ½ x 8 inches (26.7 x 20.3 cm) CL102794-137 451003-2 @NB-1040 #62
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Jean A. Watteau (French, 1684-1821) Women in Nature Oil on canvas 12 ¾ x 9 ½ inches S71791-173 142001-3 @AL 7/13
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Antonio Allegri, il Coreggio “Venus, Cupid and a Satyr” Oil on Canvas 32” x 21 ½” (81.3 x 54.7 cm) CL102794-126 564601-2 @Albertson (5/19/03)
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Carlo (Vavaliere) Maratta (Italian, 1625-1713) “Time Revealing Truth and Justice” Oil on canvas 53 x 43 ½ inches (134.6 x 110.5 cm) CL102794-128 3108801-2 NB-1040 #49
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Giovanni Antonio Pellegrini (Italian, 1675-1741) “The Young Bacchus” Oil on panel 11 x 7 ½ inches (27.9 x 19.2 cm) Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works.
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Lodewyck de Vadder ‘The Temptation in the Wilderness’ oil on canvas 17 ¾ x 44 in. (45 x 111.8 cm) CL102794-177 351003-2 @AC-NB
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David Teniers ‘The Palm Reader’ oil on panel 6 7/8 x 4 5/8 in. (17.5 x 11.7 cm) CL102794-253 39520-2 @AC-NB
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Gabriel Metsu ‘The Game Seller’ oil on panel 19 x 16 in. (48.3 x 40.7 cm) CL102794-239 654401-2 @AC-NB
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Donato Creti “Studies of Heads” Pen and brown ink on paper 10 ¾ x 7 ¼ inches @NB-1040 #26 Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna. Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni.
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Sirens and Seduction Pair of Paintings Provenance: France AC. 28.000 @AL 7/13