• Andrea (‘dAnqiolo) del Sarto (Italian, 1487-1531) “The Madonna of the Harpies” Oil on canvas 20 x 8 inches (50.8 x 20.3 cm) Andrea del Sarto (Italian: 1486–1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael.  Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: sarto), he became known as "del Sarto" (meaning "tailor's son"). CL 102794-91 322101-2 @NB-1040 #18 OM-294
  • Carlo Dolci (Italian, 1616-1686) “The Madonna and Child with Saint Clare” Oil on copper 8 ¼ x 6 inches (21 x 15.3 cm) Carlo (or Carlino) Dolci (25 May 1616 – 17 January 1686) was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Savior wearing the Crown of Thorns. In 1682, when he saw Giordano, nicknamed "fa presto" (quick worker), paint more in five hours than he could have completed in months, he fell into a depression. Dolci's daughter, Agnese (died circa 1680), was also a painter. Dolci died in Florence in 1686.
  • Lodewyck de Vadder ‘The Temptation in the Wilderness’ oil on canvas 17 ¾ x 44 in. (45 x 111.8 cm) CL102794-177 351003-2 @AC-NB
  • F. Hohle (early 20th Century) after Frans Hals. ‘Two singing Boys’ signed lower right F. Hohle cop and with the monogram lower left FG, oil on canvas 66.5 x 53 cm The original, on canvas, 66x52 cm, is in the Staatliche Kunstammlung Kassel. It was acquired by Landgraf Wilhelm VIII of Hessen in 1749 (see S.Slive, Frans Hals, 1974, II.fig. 44 and III.pp.15/16, no.23) CA102894-46 734506-3 @Albertson
  • Francisco Bayeu Y Subias (1734-1795) “An Allegorical Figure of Music, a Study for a Pedentive” Oil on paper laid down on canvas 13 ¼ x 16 ½ inches Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes.  Born in Zaragoza, Aragon, he received a broad childhood education.  He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid. He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
  • JaquesNatoire with indistinct signature, ‘F Boucher’ “Zephyr Flora” Laid down on canvas 10 ½ x 8 inches (26.7 x 20.3 cm) CL102794-137 451003-2 @NB-1040 #62
  • Antonio Allegri da Correggio “The Mystic Marriage of Saint Catherine” Oil on canvas 32 x 28 inches (81.3 x 71.2 cm) CL102794-78 3108802-2 @NB-1040 #68
  • Diego Velaquez Bacchus – a detail Oil on canvas 16 x 20 ½ in. 40.7 x 52.1 cm CL102794-233 325501-2 @AC-GN
  • Charles François Jalabert Women in the Forest Oil on canvas Within a painted arch 39.4 x 31.8 cm S71791-209 899001-3
  • Giovanni Antonio Pellegrini (Italian, 1675-1741) “The Young Bacchus” Oil on panel 11 x 7 ½ inches (27.9 x 19.2 cm) Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano.  He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France.  He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini.  Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works.
  • Sirens and Seduction Pair of Paintings Provenance: France AC. 28.000 @AL 7/13
  • Francesco Curradi (Italian, 1570-1661) “The Madonna and the Angel Gabriel” Oil on canvas 26 x 20 inches (66 x 50.8 cm) CL102794-83/1 334002-2 @NB-1040 #16