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J. Fleming,
circa 18
‘Scottish Seascape'
Plaque on fra
Oil on wo
14¾ x 20
John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there.
As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
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Donato Creti
“Studies of Heads”
Pen and brown ink on paper
10 ¾ x 7 ¼ inches
@NB-1040 #26
Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna.
Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni.
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(Charles) Chester Harding
1792-1866
“Portrait of Ann McChait”
Oil on canvas
29” x 24”
AC7200
AC12000
@AC-NB
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Elizabeth M. Yates
b. 1883,
Landscape Scene
Oil on wood
9 ¼” x 5 ½”
@NB
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Henri Lebasque
(French, 1865-1937)
“Les deus Baigneuses
près de la Plage”
Oil on canvas
21 1/8”x 30”
Signed lower right
COA by V. Lebasque
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Jean Jacques Henner
(French, 1829-1905)
A Young Girl with Red Cape
Signed ‘JHENNER’ lower left
Oil on canvas
18 ¼ x 12 ¾ in. (46.4 x 32.4 cm)
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Hermann Armin von Kern
(Austrian, 1838-1912)
"Pouring a Drink"
Oil on canvas
8 ¼ x 6 inches
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Pier Francesco Mola (Italian, 1612-1666)
“Infant Satyrs Playing by a Plynth”
Oil on canvas
24 x 16 inches
(60.9 x 40.7 cm)
CL102794-136
540802-2
@NB-1040
Tagged
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After Raphael (Raphael Sanzio da Urbino)(Italian, 1483-1520)
“Saint John in the Wilderness”
Oil on canvas
34 ½ x 25 inches
CL102794-45
126521-2
@NB-1040 #14
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Carl D’Albert
Landscape
Oil on canvas
8 ¼” x 9 ¼”
AC5200
@AC-NB
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Emmanuel Mané-Katz
(French, 1894–1962)
“Scholar with a Torah
scroll”
Watercolor on gouache on gray paper
12” x 9 ½”
SIgnwed lower right
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Dutch/Flemish School,
ca. 1800
‘Peasants Dancing Outside an Inn’
Oil on canvas
26 ½ x 32 ½ in. (67.3 x 82.6 cm)
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B. Baroni
(Italian, 19th Century)
‘In the Doorway’
Oil on canvas
26 7/8 x 18 ½ inches
Signed lower right ‘B. Baroni’
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David Teniers
Peasants playing backgammon
Oil on panel
14 ½ x 21 ½ in.
(36.7 x 54cm)
328903-2
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F. Hohle (early 20th Century) after Frans Hals.
‘Two singing Boys’
signed lower right F. Hohle cop and with the monogram lower left FG, oil on canvas
66.5 x 53 cm
The original, on canvas, 66x52 cm, is in the Staatliche Kunstammlung Kassel. It was acquired by Landgraf Wilhelm VIII of Hessen in 1749 (see S.Slive, Frans Hals, 1974, II.fig. 44 and III.pp.15/16, no.23)
CA102894-46
734506-3
@Albertson
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Théodore van
Rysselberghe
(Belgian, 1862-1926)
“Auto-Portrait a la
palette”
Oil on paper laid on
board
23 5/8” x 18 ½”
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Bernard Buffet
(French, 1928-1999)
“Nature morte au
melon et a l’ananas”
Oil on canvas
23.5”x 40”
Signed and dated 1989 on the top
COA by M. Garnier
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Dog Painting
Portrait of a Dog
Artist Unknown
10½ x 12 in.
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Jean Baptiste Greuze (French, 1725-1805)
Oil on canvas
21 x 17 ½ inches
S71791-147
1102508-3
@AL 7/13
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Charles Cromwell Ingham
1796-1863
“Portrait Francis Bryant Goodwin”
Oil on Canvas
30” x 35 1/2”
PROVENANCE: Mrs. George Arden, NY
AC12000
Worth 2,000
@NB 9/13
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J.M. Dizikis
Seashore Landscape Scene
Oil on canvas
18” x 12 ¼”
@AC-NB
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Victor Brauner
(Rumanian, 1903-1966)
“Paysage”
Oil on Canvas
7 ½”x 9”
Signed bottom left
Dated 1953
COA by S. Kinge
PROVENANCE:
Alexander Iolas, NY
Exhibited: New York, Bodley Gallery, Victor Brauner,1961
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French School (19th/20th Century)
Lush Landscape Surrounding a Lake.
Indistinctly signed lower left
Oil on panel.
7 ¼x 14 in. (18.5 x 35.5 cm)
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Charles Robert Leslie
(English, 1794-1859)
Landscape
Oil on canvas
12 x 24 in.
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Louis-Jean-François Lagrenée (French, 1724-1805)
“Ermina and the Shepherds”
Oil on canvas
18 x 21 ½ inches
@NB-1040
#45
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Lorenzo de Curo
“The Immaculate Conception”
Oil on canvas, Oval
32 ¼ x 24 1/8 inches
(82 x 61.2 cm)
CL 102794-56
322101-2
@NB-1040 260
(not online)
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Follower of John Crome
Landscape
@AC-NB
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Camille Bombois
(French, 1883-1970)
“Le pecheur aux
grands arbres”
Oil on canvas
25 ½”x 36 ¼”
Signed bottom right
COA by D. Vierny
PROVENANCE:
Dr.Franz Meyer-Mahler, Zurich
Perls Galleries, NY
EXHIBITED:
Basel, Kunsthalle, June-Aug. 1995 #62
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Follower of Jean Marc Nattier
(French, 1685-1766)
‘Portrait of a Woman, said to be Madame Le Normant D’Etoiles’
Oil on canvas
32 x 25 ½ in. (81.3 x 64.8 cm)
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Unknown Artist
19th Century
“Girl with Yarn”
10 x 8 ½ in.
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Saint John the Baptist in the Wilderness
Oil on Canvas
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David Teniers
‘The Palm Reader’
oil on panel
6 7/8 x 4 5/8 in.
(17.5 x 11.7 cm)
CL102794-253
39520-2
@AC-NB
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Charles François Jalabert
Women in the Forest
Oil on canvas
Within a painted arch
39.4 x 31.8 cm
S71791-209
899001-3
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Hippolyte Petitjean
(French, 1854-1929)
“Le bois de
bruxellex”
Oil on canvas
15” x 21 5/8”
Signed lower left
PROVENANCE:
Hammer Galleries New
York
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Bernard Buffet
(French, 1928-1999)
“World Trade Center”
Oil on canvas
38” x 57”
Signed and dated 1989 upper right and left
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Duccio di Buoninsegna (Italian, 1255-1318)
“The Madonna and Child”
Oil on panel
18 ½ x 13 inches
Duccio di Buoninsegna (Italian; c. 1255–1260 – c. 1318–1319) was an Italian painter active in Siena, Tuscany in the late 13th and early 14th centuries.
He is considered to be the father of Sienese painting and, along with a few others, the founder of Western art. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is credited with creating the painting styles of Trecento and the Sienese school, and also contributed significantly to the Sienese Gothic style.
Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding region of Tuscany. Other details of his early life and family are as uncertain, as much else in his history. Nevertheless, his artistic talents were enough to overshadow his lack of organization as a citizen, and he became famous in his own lifetime. In the 14th century Duccio became one of the most favored and radical painters in Siena.
CL102794-10
561202-2
@NB-1040
#7