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Sir Peter Paul Rubens
‘Daniel in the Lion’s Den’
oil on canvas, unframed
30 ¼ x 37 in.
(76.8 x 94 cm)
CL102794-119
328901-2
@Albertson
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Chrisitian Schussele
(American/French (1824-1879)
“Clear the Track”
Oil on canvas
23 x 18 inches
Provenance: David, David Inc., Philadelphia
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Diego Velaquez
Bacchus – a detail
Oil on canvas
16 x 20 ½ in.
40.7 x 52.1 cm
CL102794-233
325501-2
@AC-GN
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Francisco Bayeu Y Subias (1734-1795)
“An Allegorical Figure of Music, a Study for a Pedentive”
Oil on paper laid down on canvas
13 ¼ x 16 ½ inches
Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes. Born in Zaragoza, Aragon, he received a broad childhood education. He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid.
He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
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Frans II Francken (Flemish, 1581-1642)
A Scene with the Madonna
Oil on canvas
30 ½ x 23 centimeters
CL102794-19
437402-2
@NB-1040 #39
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Christian Georg Schütz (German, 1718-1791)
“A River Landscape with a Boat Moored by a Cottage”
Oil on board, oval
3 1/3 x 3 ¾ inches
(8.6 x 9.5 cm)
CL 201794-171
18841-2
@NB-1040
#92
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Jan Josef Horemans
‘A Family singing in an Interior’
bears indistinct signature;
oil on canvas
12 ½ x 9 ¼ in.
31.7 x 23.5 cm
CL102794-225
327203-2
@AC-NB
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Bernard Buffet
(French, 1928-1999)
“World Trade Center”
Oil on canvas
38” x 57”
Signed and dated 1989 upper right and left
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Charles François Jalabert
Women in the Forest
Oil on canvas
Within a painted arch
39.4 x 31.8 cm
S71791-209
899001-3
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Edwin Howland Blashfield
Women Aiding the Less Fortunate
1848-1936
21 ¾” x 17”
AC80000
@AC-NB
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Charles Felix Edouard Deshayes
(French, 1831-1895)
Windmill Near Paris
Signed and dated ‘Ch Deshayes 1874
Paris’
Oil on canvas
26x 32 in. (66 x 81.2 cm)
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War Scene
Oil on canvas
22 ½” x 27”
Year of work: 1880
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Pieter Aertson
(Dutch, 1507-1575)
Virgin Mary
Oil on panel
22 ½” x 41 ½”
Inscribed lower left
Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.
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Yasuo Kuniyoshi
(American, 1893-1953)
“Vase with flower”
17”x 14”
Oil on canvas
Painted in 1918
COA by B. Usui
Yasuo Kuniyoshi (Kuniyoshi Yasuo, 1 September 1893 – 14 May 1953) was an American painter, photographer and printmaker. Kuniyoshi was born in Okayama, Japan in 1893. He migrated to America in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life.
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Maurice de Vlaminck
(French, 1876-1958)
“Vase de fleurs"
Oil on canvas
15”x 18 ¼”
Signed lower right
COA by Wildenstein Institute
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Eugéne Boudin
(French, 1824-1898)
“Vaches au paturage”
Oil on paper
4 ½” x 7 ¾”
Stamped with initials lower right
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Circle of Alfred Elmore, R.A.
‘Una and The Lion’
oil on canvas.
36 x 28 in. (91.4 x 71.1 cm
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Jean Baptiste Camile Corot
(French, 1796-1875)
"Un pecheur a la
ligne souvenir du
pont de mantes”
Oil on canvas
9 ¾”x 13”
signed
COA by M. Dieterle
PROVENANCE:
Billou Collection (acquired from the artist in 1873)
Bossiere Boussod, Valadon et Cie, Paris
Dr. Henry Angell, Boston
John Levy Gallery, Inc., NY
Parke-Bernet Gallerie, Inc
Henry A. Golwynne, New York
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F. Hohle (early 20th Century) after Frans Hals.
‘Two singing Boys’
signed lower right F. Hohle cop and with the monogram lower left FG, oil on canvas
66.5 x 53 cm
The original, on canvas, 66x52 cm, is in the Staatliche Kunstammlung Kassel. It was acquired by Landgraf Wilhelm VIII of Hessen in 1749 (see S.Slive, Frans Hals, 1974, II.fig. 44 and III.pp.15/16, no.23)
CA102894-46
734506-3
@Albertson
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David Teniers
‘Topers in a Tavern Interior’
oil on white metal
10 3/8 x 12 ½ in.
CL102794-244
318702-2
Price:4,500
@AC-NB
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Artist Unknown
19th Century
10 ½ x 8 in.
"This painting hung in the study of Oliver Wendell Holmes for many years." -
plaque text at bottom center on frame.
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Georges William Thornley
(British, b. 1857-1935)
‘The Watermill’
signed, watercolor on paper
11 x 15 ½ in. (27.9 x 39.4 cm)
Georges William Thornley (1857–1935) was a French painter and printmaker. A student of the French landscape painter Eugène Ciceri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras. He was the son of a Welsh immigrant Morgan Thornley. He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris.
His paintings were exhibited beginning in 1878. He won the Mention of Honor in 1881 and a Third Class medal in 1888. Thornley embraced the Impressionist movement early in his career, which brought him much success. His style characteristically has bold brushwork and thick "impasto." It recreates the "impression of a panorama", capturing the fleeting moment in its inner light and color. This open landscape is an example of what the artist excelled at: successful color effects which are highly decorative but stay true to nature.
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François Boucher
1703-1770, French
“The Triumph of Neptune”
François Boucher (French; 29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century. He also painted several portraits of his patroness, Madame de Pompadour.
A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.
Boucher died on 30 May 1770 in his native Paris. His name, along with that of his patron Madame de Pompadour, had become synonymous with the French Rococo style, leading the Goncourt brothers to write: "Boucher is one of those men who represent the taste of a century, who express, personify and embody it."
OM-300
CL102794-139640801-2
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Sale!
Gustave Wappers
(Belgian, 1803-74)
‘The Reading’
signed, oil on panel
19 ½ x 15 ¼ in. (49.5 x 38.7 cm)