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Camille Bombois
(French, 1883-1970)
“Le pecheur aux
grands arbres”
Oil on canvas
25 ½”x 36 ¼”
Signed bottom right
COA by D. Vierny
PROVENANCE:
Dr.Franz Meyer-Mahler, Zurich
Perls Galleries, NY
EXHIBITED:
Basel, Kunsthalle, June-Aug. 1995 #62
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Follower of Jean Marc Nattier
(French, 1685-1766)
‘Portrait of a Woman, said to be Madame Le Normant D’Etoiles’
Oil on canvas
32 x 25 ½ in. (81.3 x 64.8 cm)
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Unknown Artist
19th Century
“Girl with Yarn”
10 x 8 ½ in.
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Saint John the Baptist in the Wilderness
Oil on Canvas
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David Teniers
‘The Palm Reader’
oil on panel
6 7/8 x 4 5/8 in.
(17.5 x 11.7 cm)
CL102794-253
39520-2
@AC-NB
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Charles François Jalabert
Women in the Forest
Oil on canvas
Within a painted arch
39.4 x 31.8 cm
S71791-209
899001-3
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Hippolyte Petitjean
(French, 1854-1929)
“Le bois de
bruxellex”
Oil on canvas
15” x 21 5/8”
Signed lower left
PROVENANCE:
Hammer Galleries New
York
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Bernard Buffet
(French, 1928-1999)
“World Trade Center”
Oil on canvas
38” x 57”
Signed and dated 1989 upper right and left
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Duccio di Buoninsegna (Italian, 1255-1318)
“The Madonna and Child”
Oil on panel
18 ½ x 13 inches
Duccio di Buoninsegna (Italian; c. 1255–1260 – c. 1318–1319) was an Italian painter active in Siena, Tuscany in the late 13th and early 14th centuries.
He is considered to be the father of Sienese painting and, along with a few others, the founder of Western art. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is credited with creating the painting styles of Trecento and the Sienese school, and also contributed significantly to the Sienese Gothic style.
Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding region of Tuscany. Other details of his early life and family are as uncertain, as much else in his history. Nevertheless, his artistic talents were enough to overshadow his lack of organization as a citizen, and he became famous in his own lifetime. In the 14th century Duccio became one of the most favored and radical painters in Siena.
CL102794-10
561202-2
@NB-1040
#7
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Walter Gilman Page
1862-1934
“Portrait of a gentlemen”
Oil on canvas
28 ½” x 36”
Signed and dated 1903 lower left
Worth 1500
@AC-NB
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American School-
Artist: Unknown
“An Old canal”
20” x 14 ¼”
In 1870
@AC-NB
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Jean Baptiste Camile Corot
(French, 1796-1875)
“Environs d’Arras-
Bords de la Scarpe”
Oil on panel
12 ½”x 16”
Vente stamp on the reverse
Painted in 1860-65
COA by M. Dieterle
«I'Oeuvre de Corot», 1965,
vol.III, pp. 124-125 no.1592
PROVENANCE:
The Artist's Studio; sale, Hotel
Drouot, Paris May 26-28 1875,#125
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Charles Felix Edouard Deshayes
(French, 1831-1895)
Windmill Near Paris
Signed and dated ‘Ch Deshayes 1874
Paris’
Oil on canvas
26x 32 in. (66 x 81.2 cm)
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Henry Lee McFee
‘Still Life with Bottle’
Oil on canvas
24 x 20 inches
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Antonio Joli (Italian, 1700-1777)
“Figures Amongst Classical Ruins”
Oil on canvas
15 ¼ x 30 ½ inches
(38.7 x 77.5 cm)
Antonio Joli or Ioli (1700 – 29 April 1777) was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).
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Francesco Solimena (Italian, 1657-1747)
“The Mystic Marriage of Saint Catherine”
Oil on canvas, Oval
12 7/8 x 9 5/8 inches
(31.8 x 24.7 cm)
CL102794-97
430602-2
@NB-1040
#61
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Dunlavy
Portrait
Former Property of Great Grandson of A. Lincoln
Oil on canvas
9 ½ x 13 inches
@AC-NB
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Maurice de Vlaminck
(French, 1876-1958)
“Vase de fleurs"
Oil on canvas
15”x 18 ¼”
Signed lower right
COA by Wildenstein Institute
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James Clark
(British, 1858-1943)
"Black Horse in a Stable"
Oil on canvas
17 x 21 inches (43.2 x 53.3 cm)
Signed
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Unknown Artist
19th Century
“Outdoor Scene”
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Jean A. Watteau (French, 1684-1821)
Women in Nature
Oil on canvas
12 ¾ x 9 ½ inches
S71791-173
142001-3
@AL 7/13
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Sir Anthony van Dyck
‘Portrait of the Marchesa Lomellini-Durazzo, three quarter length, in a black Coat and white Sleeves’
oil on canvas
33 5/8 x 24 in.
85.4 x 61 cm.
CL102794-266
5115602-2
@AC-sAlbert.
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George Peter Alexander Healy
1808-1894
Portrait of Cardinal John McCloskey
Oil on Canvas
25” x 30”
Signed top right and dated
SLOCT2281-127
AC16000
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Maximilien Luce
(French, 1858–1941)
“Le chenal a mare
basse, honfleur”
Oil on paper laid down
on canvas
10 ¼” x 13 ½”
Painted in 1928
COA by Jean Luce