GEORGES BRAQUE (1882-1963)
Nature Morte au Poisson et citrons
Signed G. Braque (lower left)
Oil on canvas
31.1 by 65.1cm, 12¼ by 25⅝ in.
Painted in 1943.
Provenance:
Gallery Louise Leiris, Paris
Knoedler and Co., New York
Private Collection, Japan
Private Collection, United States
Exhibited:
Tokyo, Le Journal Yomiuri, Georges Braque, 1952, no. 13
Jeremy Blake
The Fourty Million Dollar Beatnik (Falling Water) 2000
Ink on Paper
14.5 x 11.75 inches
Provenance
Works on paper inc
Private collection Boston
Jean-Pal Riopelle (1923-2002)
Untitled
Diameter 50cm: 19 3/4in
Signed on reverse
Oil on canvas
executed in 1978
Provenance:
Pierre Matisse Gallery, New York
Acquavella Gallries, NY
Donald Muffett
Low hole 2006
Oil on linen with wood panel support, in artist’s wood frame
20.5 x 16.5 inches
Signed, titled and dated in graphite (verso)
Provenance:
Marianne Boesky Gallery
TAKASHI MURAKAMI
DOB - 1997
Acrylic on canvas attached on panel
20 7/8 x 28 ½ in (53 x 72.5)
signed,dated DOB stamped on back panel
Provenance: Tomio Koyama Gallery
J-Cap Auction, Tokyo
Nov 26, 2006 Lot no. 73
Chowaiki/ Mosionzhnik
Pierre-Auguste Renoir
Paysage de Provence, Cagnes
1910 - oil on canvas
12.2 x 19 in. - 31.1 x 48.3 cm. Signed lower left
This work will be included in the catalogue critique being prepared by the Wildenstein Institute from the Francois Daulte, Durand-Ruel, Venturi, Vollard & Wildstein achieves.
Provenance:
Gallery Thanhauser, Munich and NY
Estate of Mary S. Higgins
Ronne and Joseph S. Wohl, NY
Sotheby’s NY 11/10/2000
EXIBITED
Munich, Gallery Thannhauser 1927
Roslyn, NY Nassau County Museum of Fine Art, The LI Collection, A Century of Art, 1880-1980 1982, no. 3
Huntington, NY - The Heckerscher Museum, Old Master - Early Modern:Works from Long Island Private Collection,1987
Literature
Julius Meier-Graefe, Renoir, 1929, no 340, ill. p 351
After 1900, Renoir and his family spent each winter and spring on the Mediterranean, staying at Le Cannet in 1902-1903907 they purchased Les Cfollettes, an old farm situated in an olive grove. John House described the importance of the Cagnes landscape in Renoirs work at this time: “The estate provided him with hisprinciple subjects for landscape: he focused sometimes on the panoramic view of it from the coast & the old town of Cagnes, sometimes on its ancient, twisting olive trees, and often on the old farmhouse on the estate.” (John House, Renoir, London,1985, p.27)
Pierre-Auguste Renoir
Paysage de Provence, Cagnes
1910 - oil on canvas
12.2 x 19 in. - 31.1 x 48.3 cm. Signed lower left
This work will be included in the catalogue critique being prepared by the Wildenstein Institute from the Francois Daulte, Durand-Ruel, Venturi, Vollard & Wildstein achieves.
Provenance:
Gallery Thanhauser, Munich and NY
Estate of Mary S. Higgins
Ronne and Joseph S. Wohl, NY
Sotheby’s NY 11/10/2000
EXIBITED
Munich, Gallery Thannhauser 1927
Roslyn, NY Nassau County Museum of Fine Art, The LI Collection, A Century of Art, 1880-1980 1982, no. 3
Huntington, NY - The Heckerscher Museum, Old Master - Early Modern:Works from Long Island Private Collection,1987
Literature
Julius Meier-Graefe, Renoir, 1929, no 340, ill. p 351
After 1900, Renoir and his family spent each winter and spring on the Mediterranean, staying at Le Cannet in 1902-1903907 they purchased Les Cfollettes, an old farm situated in an olive grove. John House described the importance of the Cagnes landscape in Renoirs work at this time: “The estate provided him with hisprinciple subjects for landscape: he focused sometimes on the panoramic view of it from the coast & the old town of Cagnes, sometimes on its ancient, twisting olive trees, and often on the old farmhouse on the estate.” (John House, Renoir, London,1985, p.27)
Andy Warhol
Campbell’s Chicken Noodle Soup
ACRYLIC SILKSCREEN ON CANVAS
SIGNED AND DATED 86’
20 X 20 INCHES
PROVIDENCE
MIKE KOHN GALLERY
MARTIN LAWRENCE GALLERY
COA