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Andrea (‘dAnqiolo) del Sarto 1487-1531, Italian The Madonna of the Harpies
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Andrea (‘dAnqiolo) del Sarto 1487-1531, Italian The Madonna of the Harpies

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Andrea (‘dAnqiolo) del Sarto 1487-1531, Italian “The Madonna of the Harpies” “Oil on Canvas” 20” x 8” (50.8 x 20.3 cm)
AL Jean Baptiste Greuze
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AL Jean Baptiste Greuze

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AL Jean Baptiste Greuze Oil on canvas
AGOSTINO CARRACCI (Italian, 1557-1602) “Ecce Homo”
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AGOSTINO CARRACCI (Italian, 1557-1602) “Ecce Homo”

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Agostino Carracci 1557-1602, Italian “Ecce Homo” Oil on Copper 11 7/8” x 9 ½’’ (30 x 24.3 cm)
A Personification of Childhood
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A Personification of Childhood

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Agostino Carracci 1557-1602,
Italian “A Personification of Childhood” Oil on Copper 5” x 5 1/8’’ (12.7 x 13 cm)
Pasture Near A Pond – School of Albert Cuyp
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Pasture Near A Pond – School of Albert Cuyp

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School of Albert Cuyp "Pasture Near A Pond" 16 x 22 inc.
Peasants playing backgammon
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Peasants playing backgammon

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Peasants playing backgammon
(Domenico Zampieri) Domenichino 1581-1641, Italian The Persian Sybil
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(Domenico Zampieri) Domenichino 1581-1641, Italian The Persian Sybil

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(Domenico Zampieri) Domenichino 1581-1641, Italian “The Persian Sybil” Oil on Canvas 31” x 25 1/8’’ (78.8 x 63.9 cm)
Jean Baptiste Greuze (French, 1725-1805) Painting
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Jean Baptiste Greuze (French, 1725-1805) Painting

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Jean Baptiste Greuze (French, 1725-1805) Painting Oil on canvas 21 x 17.5 inches
‘F. Boucher’ Laid Zephyr Flora
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‘F. Boucher’ Laid Zephyr Flora

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François Boucher (French, 1703-1770) "Zephyr Flora" Signed, 'F. Boucher' Laid down on canvas 10 ½ x 8 inches
braham Bloemaert (Spanish, 1566-1651) ​ death of the virgin
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braham Bloemaert (Spanish, 1566-1651) ​ death of the virgin

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Abraham Bloemaert (25 December 1566 – 27 January 1651) was a Dutch painter and printmaker who used etching and engraving. He initially worked in the style of the "Haarlem Mannerists", but by the beginning of the 17th-century altered his style in line with the new Baroque style that was then developing. He mostly painted history subjects and some landscapes. He was an important teacher, training most of the Utrecht Caravaggisti. Abraham Bloemaert (Spanish, 1566-1651) ​
"Death of the Virgin" Oil on canvas 48 1/2 x 44 3/4 inches
Pair of Louis XVI Style Gilt-Bronze Mounted Porcelain
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Pair of Louis XVI Style Gilt-Bronze Mounted Porcelain

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Pair of Louis XVI Style Gilt-Bronze Mounted Porcelain Urn Form Candelabra, late 19th Century.
Louis XVI Style Gilt-Bronze Mounted Porcelain Urn
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Louis XVI Style Gilt-Bronze Mounted Porcelain Urn

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Pair of Louis XVI Style Gilt-Bronze Mounted Porcelain Urn Form Candelabra, late 19th Century. Height: 31 inches.
A Roman Numeral Clock with Urn, flanked by two putto.
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A Roman Numeral Clock with Urn, flanked by two putto.

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A Roman Numeral Clock with Urn, flanked by two putto. Height:20 inches Width: 15 inches
A Pair of Gilt-Bronze and Onyx Candelabra
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A Pair of Gilt-Bronze and Onyx Candelabra

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Candelabra: A Pair of Gilt-Bronze and Onyx Candelabra. Each base has malachite square on the front and Putto holding a Five-Light branch stem. Height: 23 inches. (AC10000) CLOCK (F-785): A Louis XVI Style Ormolu-mounted Carrara Marble Mantel Clock, circa 1890. The circular enamel dial surmounted by a cloud borne Cupid, on rectangular pedestal flanked by classically-draped caryatids issuing scrolling and fruiting foliage, above a shaped rectangular plinth mounted with -urn en flambeau finials supported on triple ram’s head monopodiae and inset to the front with a cockerel, on toupie feet, the dial inscribed […]/240 RUE RIVOLI/A PARIS 21 ¼ inches
A Bronze and Mahogany Clock Set with Three-Light Candelabra
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A Bronze and Mahogany Clock Set with Three-Light Candelabra

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A Bronze and Mahogany Clock Set with Three-Light Candelabra. Height of Clock: 24 inches Width: 10 ½ inches Depth: 10 ½ inches Candelabra Height: 24 ½ inches Width: 10 ½ inches
A Napoleon III Ormolu- Mounted Carrara Marble Figural Mantel Clock, circa 1870
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A Napoleon III Ormolu- Mounted Carrara Marble Figural Mantel Clock, circa 1870

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A Napoleon III Ormolu- Mounted Carrara Marble Figural Mantel Clock, circa 1870. Modeled as scantily-clad baccante standing beside an ormolu ewer on a rectangular plinth, centered with an enameled dial inscribed […]/a Paris, the twin-train movement by Japy Freres, the movement door engraved to the reverse Repaired by/Blaine Jewelers/Newport R.I. / 9-29-54/11-1-61/9-13-77, on rectangular naturalistic base and bleu turquin marble plinth. Height: 25 inches

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